![]() ![]() This helps ensure that the series in question is well-received by audiences, but also means that episodes are often shot and edited the same week they’re aired. If ratings are low, the show’s creators will change the plot, and if ratings are high, they might decide to extend the number of episodes from, say, 16 to 24, Jin explains. Dal-Yong Jin, a communications professor at Simon Fraser University and one of the world’s leading scholars on Korean pop culture. “Korean creators still make dramas day by day,” says Dr. To put it plainly, K-dramas make us feel less alone and often successfully tap into our shared human experiences and emotions. At the same time, the bold and skillful storytelling with which K-dramas tackle societal issues, personal struggles, and universal themes such as family, friendship, and love make for thoughtful content that resonates with audiences across geographical borders. They also tend to consist of more PG-friendly fare than western TV shows (nudity and sex are practically nonexistent, for example), rendering K-dramas more palatable for a wider range of age groups and countries, especially those that are more socially conservative. K-dramas are generally known for having high production value, intense and often engrossing storylines, and quality acting that helps build an emotional connection between the characters and the audience. Most consist of a finite number of episodes (often between 16 and 24, though some-especially family-oriented and historical dramas-run for 50-plus) and are usually completed in a single season, with a few notable exceptions (more on that later). Sometimes they’re referred to as Korean soap operas, but that description is misleading because K-dramas actually encompass a wide range of genres, from sci-fi and romance to horror and period pieces and everything in between. And as viewers ran out of shows to watch, many of them stumbled upon Korean dramas-and have been hooked ever since.įor the unacquainted, Korean dramas-K-dramas for short-are South Korean scripted TV shows. becoming the top importer of Korean food in 2020, while Korean food trends like mukbang and dalgona coffee provided welcome quarantine distractions. Korean food exports-greatly boosted by social media posts from Asian celebrities and the popularity of the film Parasite- hit a record high, with the U.S. K-pop artists such as BTS and Blackpink became household names as people spent more time online. And perhaps no country has shone brighter in the global spotlight over the past year and a half than South Korea. It’s fair to say modern cinema wouldn’t exist as we know it without him.When the pandemic brought international travel to a halt and forced the nation to shelter in place, many leaned on entertainment to explore the world beyond the confines of their homes. Echoes of Rossellini’s approach to filmmaking are still felt in movements around the world, from China to Iran to South America to the United States. As always, he yearned to show life’s minutiae unadorned, bare and pure. In the final phase of his career, after calling a news conference and announcing, “Cinema is dead,” Rossellini turned to historical television dramas about major subjects and figures (Louis XIV, Blaise Pascal, Descartes, the Medicis), made with a rational, almost scientific approach. Francis), a documentary about India ( India), and a wartime melodrama that was one of his biggest hits ( Il Generale Della Rovere). Through the 1950s, Rossellini experimented with different forms, offering an ascetic religious film ( The Flowers of St. After making films under Mussolini’s fascist regime early in his career, Rossellini broke out with Rome Open City, a shattering and vivid chronicle of the Nazi occupation of Italy’s capital, followed by Paisan and Germany Year Zero, which round out his “war trilogy.” Rossellini’s adulterous affair with Ingrid Bergman led to the biggest controversy of his career (they were both condemned by the United States Senate) but also to another trilogy- Stromboli, Europa ’51, and Voyage to Italy, all starring Bergman and all about spiritual crises they were dismissed at the time of their release but are widely praised now. A founder of Italian neorealism, Roberto Rossellini brought to filmmaking a documentary-like authenticity and a philosophical stringency. ![]()
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